Yanek Iontef, who led development on the Hebrew character set, says that “a Hebrew geometric model that is as classic as Avenir simply doesn’t exist. Start to finish, the project took the Monotype Studio a year to complete, working with international type designers Yanek Iontef, Nadine Chahine, Toshi Omagari, Akaki Razmadze, Elena Papassissa and Anuthin Wongsunkakon on each of the new scripts. The foundry set out on the update to enable users of the font to “reach many parts of the world and a broader audience,” he adds. “But our worldwide network of designers who are real experts in their local script helped us to accomplish this.” Due to Frutiger’s absence, “I felt my task as a supervisor of the expansion project was enormous,” he tells It’s Nice That. Frutiger passed away in 2015, so this time Kobayashi led the project. ![]() Originally designed by Adrian Frutiger in 1988, it was updated by Frutiger and Monotype’s creative type director Akira Kobayashi in 2002 to modernise it in line with demands in print and digital design. The Avenir Next World font family has been expanded to support over 150 global scripts and languages and now features Latin, Cyrillic, Greek, Hebrew, Arabic, Vietnamese, Georgian, Armenian, and Thai, plus ten weights and two new styles, ExtraBold and Black. Monotype has updated Avenir, one of the most prevalently used fonts in the world, for the first time in 20 years.
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